Saint Petersburg is often considered the cultural capital of Russia. Many talented artists, musicians, writers, and poets find their muse there. Today, we are pleased to present an interview with one of the talented contemporary tattoo artists of Saint Petersburg — Tatiana Vader.
Her creativity is expressed through an intriguing combination of graphics and watercolor. The works that come to life under her hand attract attention with their lightness and uniqueness — most of them are created freehand, without a sketch.
Good afternoon, Tatiana! I’d like to begin our conversation with a biographical question. Tell us — how did it all start?
It all began with a long journey of searching for myself in the world of creativity. Since childhood, I had a strong passion for art — my best friends were pencil and paper. If they weren’t at hand, I used anything that could write, scratch, or leave a mark. After school, on my mother’s advice, I enrolled in college to study “Architectural Technology.” I worked as an illustrator, designer, animator, and layout artist. I even dreamed of becoming a concept artist in the game development industry. But after getting a taste of that dream, I realized it wasn’t for me.
Looking back on my experiences, I came to understand that working with digital tools went against my nature. Tactile sensations can’t be compared to cold machines. I didn’t know what medium could allow me to express everything I wanted — until one day, someone said, “Why don’t you try tattooing?”
Images of bearded bikers and hardcore rock musicians instantly popped into my head — and in the middle of it, a clumsy little dandelion like me. But despite the fear and uncertainty, I made the decision. While I was saving up for professional training — I didn’t want to do bad tattoos without learning the basics — I studied first aid and sterilization, looked at tattoos every day, and practiced drawing sketches. Then, the “X day” arrived…
Do you remember that day, your first client, and how you felt while doing your first tattoo?
November 27, 2014. My first client was a young man named Alexander. Like a first love, you never forget your first client :) He only found out it was my first time when he arrived at the studio, and he seemed a little frightened. But I was far more scared — like I was standing at the edge of a rooftop, about to step into the void.
I kept running to the sink to splash cold water on my face — the fear was overwhelming. My hands were shaking, my vocabulary vanished, and the urge to run away was so strong I still don’t understand how I resisted it. I saw a tattoo machine for the first time in my life and had no idea what to do with it — or even what the Vaseline was for! When the teacher said, “Push the pedal!” I didn’t know where it was or what it did. Eventually, I found the pedal and switched it on. It buzzed and shook… and I thought, “How am I supposed to draw with this?”
Halfway through the session, I cursed the day I had chosen to become a tattoo artist. I just wanted to finish the piece and forget it like a nightmare. My arms and back started to ache. But after 1.5 hours, the tattoo was complete — and the joy and exhilaration washed away all the fear and doubt. I felt euphoric, like I had just woken up. The world seemed brighter, the picture clearer. That was the moment I realized I had found the path of my life.
What styles and techniques did you explore before arriving at your current style?
I had already chosen my tattoo style before starting — I always loved drawing with pencil, so I naturally gravitated toward graphics: clean lines, outlines, and dotwork. I experimented with color, but solid color fills were just not for me. Over time, I developed a style that is light and refined. Sometimes, upon a client’s request, I add watercolor accents for a splash of color.
Can you tell us more about the features of your style?
One of the key features of my style is the use of academic hatching techniques — all shadows and smooth transitions are done using a single needle, just like a pencil. I also enjoy creating gradients with dotwork. I pay great attention to detail. Almost all my tattoos are done freehand — without a preliminary sketch. I love the sense of mystery and collaboration that comes from creating the design together with the client. It builds trust and creates a unique atmosphere.
Freehand is indeed a deeply creative process! Who or what inspires you?
My primary source of inspiration is always the future wearer of the tattoo — their communication style, ideas, and worldview. I often feel like a psychologist, helping to uncover people’s desires and preferences. I want everyone who comes to me to receive more than just a picture. I see myself as a guide in the creation of their image — someone who uses her drawing skills to bring their vision to life. Gently and with love :)
And finally, I’d like to ask you two philosophical questions that I ask every Russian tattoo artist. First: do you think the rapid development of tattoo culture in Russia is heading in the right direction? Second: what is your forecast for the future of tattooing in the country?
Like all things that become fashionable, tattooing will eventually settle into a more relaxed, harmonious part of life. The fact that it’s currently at its peak has many benefits. As an optimist, I’m glad that tattooing is now recognized as an art form. Of course, there are people who present tattoo culture in a way that isn’t always flattering. But at the same time, the contrast between good and bad tattoos helps shape public taste and promotes a healthier attitude toward oneself and one’s body.
Tatiana, thank you for such a detailed and vivid interview — it was a pleasure!
Thank you!
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