Japanese Mythology in the Black-and-Red Lines of Ivan Baiun

Artist and tattooist Ivan Baiun began his professional journey in Israel, where he developed as a tattoo artist over several years and shaped his own recognizable style. Today, he is entering a new phase of his career, working in the United States — between Los Angeles and San Francisco at the renowned Sashatattooing studios.

Drawing inspiration from Japanese prints, mythology, and traditional painting, Ivan creates tattoos that combine striking graphics, emotional strength, and refined composition. His signature style is a dialogue between the body and image, where red and black become a language capable of conveying movement, emotion, and personal stories.

— Hi Ivan! Tell us a little about yourself — where are you from and how long have you been tattooing?

— I was born in Kyiv — a city that taught me a lot: contrasts, history, resilience. Nine years ago I moved to Tel Aviv, Israel, and that’s where I truly found my voice as a tattoo artist. I’ve been in the field for over seven years. For the past three years, I’ve been tattooing at Exodus studio — a place that gave me the space to grow and experiment. It all started as a quiet obsession but quickly became my main form of self-expression.

— Do you have a background in art? Who taught you to tattoo?

— Yes, I’ve been interested in tattooing since childhood. Around the age of 13, I became completely immersed — collecting books, studying the history of tattooing, analyzing different styles, and teaching myself everything I could.

“I was obsessed with the craft long before I ever held a machine.”

My foundation was built through self-education and observation, driven by genuine admiration. That’s what shaped my current approach: independent, focused, and intentional.

— How would you describe your current style? What techniques do you use to make your tattoos expressive?

— My style evolved organically. I’m known for my red and black palette, which I use to create bold, emotionally charged designs.

“My focus is on composition, body flow, and deep contrast.”

I want my tattoos to feel alive, timeless, and powerful. Over time, I’ve focused on making those two colors work together — cleanly, structurally, and recognizably.

— When and how did you first become interested in Japanese art and culture?

— Early in my career, I was captivated by the symbolism and structure of Japanese culture. The balance between elegance and intensity, the storytelling elements — all of it resonated with me. Most of my inspiration comes from visual research. I collect Japanese books with prints, illustrations, and traditional art — and I return to them regularly. I also enjoy visiting museums and Japanese gardens in every city I travel to — it’s become a ritual. These quiet moments — studying composition, rhythm, and texture — directly impact how I design and balance each tattoo.

— Are there any themes or characters you especially enjoy tattooing?

— Absolutely. I’m especially drawn to powerful and dynamic figures from Japanese mythology — dragons, snakes, tigers, and hannya masks — they’re at the core of my work. There’s so much energy and symbolism in them, and they flow beautifully across the body.

“Of course, it’s important to me when the client is emotionally connected to the story behind the design.”

As for the red elements, I often use flames, spider lilies, and chrysanthemums — each one adds emotion or rhythm. I like building contrast between raw power and delicacy.

— Is there a tattoo you’re particularly proud of or that stands out in your memory?

— One of my favorite recent projects is full sleeves on both legs. One leg features a dragon with flames, the other — a tiger with chrysanthemums, all unified with a black background. It was technically demanding, requiring time, focus, and complete trust from the client. I loved the scale, contrast, and how the two sides balance each other without mirroring. That project embodies everything I strive for in my process.

— How did your collaboration with Sashatattooing begin? What is it like working between San Francisco and Los Angeles?

— This collaboration started with mutual respect — I’ve long admired Sasha’s vision and international presence. We connected over our love for expressive, emotionally rich designs. Her studios create space for artists with strong individuality, and I’m excited to bring my black-and-red universe to both coasts of California.

— Have you participated in tattoo conventions in Europe? Tell us about your experience.

— Yes, I’ve taken part in several European tattoo conventions, including The Wild Claw in Belgium — one of the most inspiring events I’ve attended. The atmosphere there is special: a high level of craftsmanship, deep respect for the art, and a strong sense of community.

I was invited to tattoo live during the event — it gave me a chance to present my Japanese black-and-red style to a European audience. I also met artists from across the continent, which led to creative collaborations and invitations for guest spots. These events develop you not only technically, but mentally and artistically.

— What achievements in your career do you consider most significant?

— Honestly, I believe the journey itself as a tattoo artist is the main achievement. Tattooing has given me the chance to travel the world, build relationships with clients and colleagues, and constantly evolve through new experiences.

“It’s not about one point — it’s a way of life full of growth and human connection.”

I create art that is deeply personal to someone, and that trust and impact — that’s something I deeply value. Every finished piece, every new city, every conversation with someone who truly feels your work — that’s what makes this career meaningful.

— What creative plans do you have for the near future?

— Right now, I’m focused on expanding my presence in the U.S. — through guest spots and participation in conventions. I’m looking forward to being part of new international events — not only as a tattooist but also as a judge. It’s important to me to contribute to the industry, support it, and spotlight strong, original work.

Artistically, I’m diving into large-scale narrative projects — full-body compositions, backs, sleeves that feel like living murals. I’d also like to publish a printed collection of my works in the future.

— How can someone book a session with you? What should people know if they want a tattoo from you in California?

— The best way to reach me is via Instagram or email: bayun.tattoos@gmail.com. I work by appointment only, and each project is custom. Once we connect, we’ll discuss ideas and create the concept together. You don’t need a full idea — just reach out, and we’ll build it. I handle the design, composition, and make sure the tattoo fits your body and energy.