Paul LaVey is a tattoo artist based in Stanley, Durham, UK, and the artist behind Art LaVey Tattoo. His work is instantly recognizable for its striking realism and deep connection to the visual language of classic horror cinema. Drawing inspiration from iconic horror films, Paul creates tattoos that feel almost cinematic in the way they preserve atmosphere, texture, light, and emotion.
Portraiture holds a special place in his portfolio: whether he works with modern references or imagery from 1980s horror films, he captures faces with remarkable precision, preserving not only likeness but also the distinct color palette and haunting mood that made those characters unforgettable. As a licensed artist for Lucasfilm and the Halloween franchise, he has built a practice where technical mastery meets genuine devotion to the worlds that shaped his artistic vision.
How did your journey in tattooing begin?
— I’ve been a tattoo artist for around 20 years now. I first started in a small studio and began to really focus on my development, collecting various reference books, watching as many seminars as possible, and trying to find my own way as an artist.
What stages in your career do you consider the most important for your professional growth?
— I’d probably say it was when I opened my own studio. Going from negative workspaces to suddenly having my own business gave me the push and the freedom to really explore my own boundaries and start doing my own thing. I feel like that was a pivotal moment in my career, as well as winning my first award.
How did your artistic style develop?
— Again, it kind of goes back to my earlier answer. Once I started doing more colour work and more realism in a space where I felt truly comfortable, everything started to fall into place naturally. I’d see artists I aspired to be like creating incredible work, and I wanted to reach that same standard.
Are there any elements or techniques that have become your signature?
— Realism is a hard one because you’re essentially trying to make it as lifelike as possible. Obviously, you can make it more stylised to find your own personal niche, but I like to really focus on pushing that realistic element.
Are there any themes or subjects you find yourself returning to again and again?
— I’m a big horror fan. I also love pop culture — Star Wars in particular — so whenever I have time to design or create, I tend to gravitate towards those themes most. But honestly, anything is welcome. I like to try different things.
What sources of inspiration (art, culture, personal experience) have influenced your aesthetic the most?
— ’80s and ’90s horror in particular has been a huge influence: Return of the Living Dead, Halloween, Killer Klowns from Outer Space. It’s strange how a genre can define so many characteristics in your life, but there’s inspiration in so much of it.
Have there been any projects that stood out to you in a special way?
— Every project is special in its own way, but one that particularly stands out is memorial portraits. They’re nerve-wracking, but it’s worth it to see people’s faces when you bring their loved one to life on their skin, not to mention how humbling it is to know that somebody trusts you with such a sacred tattoo.
How do you evaluate your own progress over the past few years?
— I’m my own worst critic. I’ll scrutinise my work afterwards and find parts I’d like to improve on, but you’ll find that most artists are heavily self-critical — it’s really the only way you improve. If you think you’re the best, your work will remain stagnant.
How do you usually structure your workflow with a client — from the initial idea to the final result?
— I’m lucky in that I have many trusting clients who give me a brief idea and let me do my own thing with it. I’ve never been shy about telling a client when an idea won’t work, and 98% of the time that’s appreciated. The number one way to get the best tattoo possible is to trust your artist — we understand bodily structure and flow.
Could you tell us about your experience participating in professional competitions?
— I’ve taken part in many conventions over the years. I’ve won awards at Blackpool Tatcon, Ink for Heroes, Teesside Tattoo Convention, Croydon Tattoo Show, Goa Tattoo Festival, and a few others. Every show is unique in its own way, but I’m grateful for every experience and every award.
Which achievements in your career mean the most to you ?
— Seeing my face published in the Star Wars Celebration magazine and getting officially licensed by Lucasfilm Ltd are particular standouts, especially because I love the franchise so much. That was really a pinch-me moment in my career and made me truly appreciate everything that had brought me to that point. Looking up mid-tattoo and seeing a swarm of Chewbaccas is an insane experience, to say the least.
Could you tell us about the place where you currently work?
— I own Art LaVey Tattoo in Durham. It was formerly a larger premises with a multitude of different artists, but for the last few years it has become a cosy private studio. My wife and I have made it a more comfortable, intimate space, which clients seem to much prefer.
Paul LaVey’s work shows how realism can preserve not only likeness, but atmosphere, emotion, and the visual power of horror cinema — so if you want to see more, join the many admirers of his work on Instagram and follow his artistic journey there.
Comments (0)