VIkykomori

For me, tattooing is both collaboration and exploration — a process where the body, idea and atmosphere slowly come together into something personal.

Every design is created individually — with attention to anatomy, flow and the natural shape of the body.
I’m not interested in placing disconnected images onto skin.
I want the tattoo to feel alive with the person wearing it.

I work in:
• dark abstraction
• blackwork
• ornamental
• bioorganic
• lettering

Living close to nature deeply influences the way I create.
I’m inspired by natural textures, organic structures and the almost perfect architecture of microscopic organisms — forms that feel both alien and deeply alive at the same time. I call it Neuronature.

I’m especially drawn to ornamental compositions inspired by gothic forms and natural rhythms.
For me, ornament is not about symbolism as much as it is about body architecture, balance, movement and the beauty of lines interacting with the body.

I love the way black pigment lives in the skin, but even more than that, I’m fascinated by negative space and the way the body itself becomes part of the composition.
I try to integrate tattoos into the body as if they’ve always belonged there.

I also love working with gothic calligraphy, especially Georgian lettering — as a tribute to the country that has been home to me for the last few years and to my lifelong love for handwritten forms and symbols.

Some projects are built digitally, others directly on the body through freehand composition.